Wednesday, December 21, 2005

Indian Languages

Indian Languages

Introduction:

There are 29 states and 6 union territories in India. There are 18 official languages and approximately 100 other languages spoken in India. But, almost each of these 18 languages, include different dialects or variations of that language. Most of the languages of India belong to two families, Aryan and Dravidian.

Languages spoken in the four states of south India belong to the Dravidian family and most of the languages spoken in the north are of Aryan family. The general script of the Aryan languages is different from the general script of Dravidian languages.

History Of Indian Languages:

The Aryans are said to have entered India through the fabled Khyber pass, around 1500 BC. Before the Aryans, the Dravidian people resided in India. It is believed that coming of the Aryans pushed the local people southwards or towards the jungles and mountains in north India.
The Aryans are believed to have brought with them the horse, developed the Sanskrit language and made significant contribution to the religion of the times.
The languages spoken in present India, evolved in different phases of Indian history. In the earlier stage of Indian history other languages were spoken. The holy books of different religions that developed in ancient India are written in different languages. The holy books of Hinduism were written Sanskrit

Indian languages now in use have evolved from different language families in the course of time in history.

The Constitution has recognized Hindi, in the Devanagiri script, as Indias official language. However, English continues to be the official working language. For many educated Indians, English is virtually their first language, and for a great number of Indians who are multi-lingual, it will probably be the second. The regional languages have been recognized as the official language of the States. In many cases, the state boundaries are drawn between linguistic lines.
Despite their separate names, Hindi and Urdu are actually slightly different dialects of the same language. The main differences lie in their vocabulary sources, scripts, and religious traditions. Hindi vocabulary derives mainly from Sanskrit, while Urdu contains many words of Persian and Arabic origin; Hindi is written in the Devanagari script, and Urdu in a Persian Arabic script. Hindi is spoken mainly by Hindus; Urdu is used predominantly by Muslims—in India as well as throughout Pakistan.

Bihari is actually the name of a group of three related languages—Bhojpuri, Maithili, and Magahi—spoken mainly in northeastern India in Bihar. Despite its large number of speakers, Bihari is not a constitutionally recognized language of India. Even in Bihar, Hindi is the language used for educational and official matters.

Facts about Dravidian Languages

About 23 Dravidian languages are spoken by an estimated 169 million people, mainly in southern India.

The 4 major Dravidian tongues are recognized as official state languages—Tamil in Tamil Nadu, Telugu in Andhra Pradesh, Kannada (Kanarese) in Mysore, and Malayalam in Kerala.
Dravidian languages have long literary histories and are written in their own scripts.

Telugu is spoken by the largest number of people

Tamil has the richest literature, is thought to be extremely ancient, and it is spoken over the widest area, including northwestern Sri Lanka.


Official Languages Of India, recognized by the Indian constitution















































































Language


Spoken Approx By


1


Assamese


13 million


2


Bengali


69.5 million


3


Gujarati


40 million


4


Hindi


337 million


5


Kannada


32 million


6


Kashmiri


56 thousand


7


Konkani


1.7 million


8


Malayalam


30.3 million


9


Manipuri


1.2 million


10


Marathi


62 million


11


Nepali


2 million


12


Oriya


28 million


13


Punjabi


23 million


14


Sanskrit


49.7 thousand


15


Sindhi


2.1 million


16


Tamil


53 million


17


Telugu


66 million


18


Urdu


43 million


Assamese is the language of Assam and is spoken by nearly 60 percent of the State population. It developed as a literary language from the 13th Century.

Bengali, one of the leading Indo-Aryan languages, is the official language of West Bengal. It too developed as a language in the 13th Century and is now spoken by nearly 200 million people in West Bengal and in Bangladesh.

Bengali is spoken by almost the entire population of Bangladesh. Like Hindi, it is descended from Sanskrit, and has the most extensive literature of any modern Indian language.

Gujarati is the official language of the state of Gujarat and is spoken by 70 percent of the State population. Gujarat started out as an independent language around AD 1200. It is now one of the most developed languages in India.

Hindi is numerically the biggest of the Indo-Aryan family and is the official language of India. Two major varieties of Hindi are spoken; Western Hindi, which originated in the area around Delhi, includes literary Hindi and Urdu and Eastern Hindi is spoken mainly in central Uttar Pradesh and eastern Madhya Pradesh. There are various dialects of Hindi. In six states and union Territories, Hindi is the official language.

Kannada is the state language of Karnataka and is spoken by 65 percent of the state population. It belongs to the Dravidian family, and dates back to the 9th Century as an independent language.

Kashmiri is a language of the Indo-Aryan group and is often mistaken as the state language of Jammu and Kashmir. Urdu is the state language of Jammu and Kashmir. Kashmiri speaking population of the state comes to around 55% of the total population. Kashmiri literature goes back to AD 1200.


Konkani, the official language of Goa, is principally based on classical Sanskrit and belongs to the southwestern branch of Indo-Aryans. It is spoken by thousands of Konkanis in Maharashtra, Karnataka and Kerala also.

Malayalam, a branch of the Dravidian family is the official language of the state of Kerala. It is also spoken in Lakshwadeep islands. Malayalam developed as an independent language, by the 10th Century AD. It is the youngest of all developed languages in the Dravidian family.

Marathi, the Indic language, dates back to the 13th Century. It is the official language of Maharashtra. Though Marathi separated from the Indo-Aryan stock at a very early date , it has today a fully developed literature of the modern type.

Oriya, a branch of the Indo-Aryan family, is the official language of the State of Orissa, where the Oriya speaking population comprises around 82% of the total population. Oriya is found recorded as far back as the 10th Century. However, its literary career began only in the 14th Century.

Punjabi belongs to the Indo-Aryan family and is the official language of the State of Punjab. Punjabi, though very ancient, turned literary around the 15th Century. From the 19th Century, Punjabi showed vigorous development in all branches of literature. It is written in Gurmukhi script, created by the Sikh Guru, Angad.


Punjabi (Panjabi), spoken in the Punjab, a region covering parts of northeastern India and western Pakistan, was the language of the gurus, the founders of the Sikh religion. The sacred teachings of Sikhism are recorded in Punjabi in the Gurmukhi script, which was devised by a Sikh guru. In India, Punjabi is close to the Hindi language; to the west, in Pakistan, Punjabi dialects differ markedly.


Sanskrit, the classical language of India, is also one of the oldest languages in the world- perhaps the oldest to be recorded. It starts with the Rig Veda, which appears to have been composed around 2000 BC. Early Sanskrit is known as Vedic Sanskrit and covers the period between 500 BC and AD 1000.

Sindhi is spoken by a great number of people in the Northwest frontier of the Indian subcontinent comprising parts of India and Pakistan. It belongs to the Indo-Aryan family and preserved some of the archaic characteristics of the Indo-Aryan script. Sindhi is actually an offshoot of some of the dialects of the Vedic Sanskrit. Sindh, on the north west of undivided India, had always been the first to bear the onslaught of the never-ending invaders, and as such absorbed Hindi, Persian, Arabic, Turkish, English and even Portuguese. Sindh is where Persian and Indian cultures blended


Tamil is the oldest of the Dravidian languages and is the State language of Tamil Nadu. Tamil literature goes back to Centuries before the Christian era. It represents certain new literary types that are not in Sanskrit or other Aryan languages. It spoken by more than 73 million people.

Telugu is a Dravidian language spoken by the people of Andhra Pradesh. It is numerically the biggest linguistic unit in India. Telugu is found to be recorded in the 7th Century AD. However, it is only in the 11th Century that it broke out into a literary language.

Urdu is the State language of Jammu and Kashmir and is spoken by more than 28 million people In India. The name "Urdu" is derived from "Zabane-e-Urdu-Muala" which means the language of the exalted camp or court. Here it refers to the camp or court of the ruling Sultans of Delhi. Urdu and Hindi have proceeded from the same source i.e., Khariboli. Urdu is written in the Persio-Arabic script and contains many words from the Persian language.

Languages Spoken In the States and Union Terrotories Of India


Indo-Aryan languages: 491,087,116, 74.24%, Dravidian languages: 157,836,723, 23.86%

Jammu & Kashmir (Dogri, Kashmiri, Ladakhi, Punjabi, Urdu, Hindi, Baltistani, Dardi)
Himanchal Pradesh (Hindi, Pahadi)
Punjab (Punjabi, Hindi and Urdu)
Haryana (Hindi, Haryanvi, Predominantly Muslim - Urdu)
Rajasthan (Hindi, Rajasthani, Marwadi, Predominantly Muslim - Urdu)
Uttar Pradesh (Hindi, Brijbhasha, Pahadi, Avadhi, Bhojpuri, numerous others, Pred. Musl. - Urdu)
Uttaranchal (Hindi)
Chhattisgarh (Hindi)
Madhya Pradesh (Hindi, Marathi, numerous others, pred. Muslim - Urdu)
Gujarat (Gujarati)
Maharashtra (Marathi, Vidarbha region - Hindi and Marathi)
Karnataka (Kannada)
Goa (Konkani)
Kerala (Malayalam)
Tamil Nadu (Tamil)
Lakshadweep (Malayalam )
Andaman & Nicobar Islands (Andamanese)
Andhra Pradesh (Telugu, Hyderabad city - Telugu plus Urdu)
Orissa (Oriya)
Bihar (Hindi, Bhojpuri, Maithini, Santhali, Angika, numerous others, Bengali, Pred. Muslim - Urdu)
Jharkhand (Hindi)

West Bengal (Bengali)
Sikkim (Nepali, Lepcha, Bhutia)
Assam (Assamese, others)
Meghalaya (Garo, Khasi)
Arunanchal Pradesh (Nissi, Daffla)
Mizoram (Mizo)
Nagaland (Naga)
Tripura (Tripuri, Bengali, Kuki)
Delhi (Hindi)

Please print out a copy of the linguistic map of India from http://www.mapsofindia.com/maps/india/indianlanguages.htmand use as a reference material for this topic.
Source : Sudha Jamthe , US

Copycats in Indian Film Music!!!

Copycats in Indian Film Music!!!

CopyCats have alwas existed in Indian film music - right from SD Burman, RD Burman to the recent Vishal-Shekhar, Nadeem Shravan and of course Anu Malik. This phenomenon has been there in tamil movies too - right from the Un Aattamellaam song from Ali Baba-vum 40 thirudargalum (copied from Ya Habibi Taala By Asmahan) to the three blatant lifts in Kadhal Kondein (by Yuvan Shankar) . However, the originality seems to be lower in Hindi movies. This is what I could infer from the site www.itwofs.com, which is a great database of copied songs! Look at the sheer number of hindi songs that have been copied -way too high!

Sometimes, u feel so shocked to find that the song which was a big hit and the one that u liked was copied. I got such a shock, when I came across this on www.itwofs.com:

The song that made Hassan Jehangir a household name across the 2 countries - Hawa hawa. This chartbuster was first released in 1990 in Pakistan, but strangely enough, its Iranian original is as old as the 70s! Yes, the original is called 'Havar havar' and was by Persian singer Kourosh Yaghmai.

U can listen to the source song at the address mentioned above.

(In this site, ITWOFS, a convention is followed. A TC tag next to an entry means that the tune itself is lifted. The lack of creativity (or shall we say, absence of creativity?) of the music director can be gauged from this.)

Source:http://arrahmaniac.blogspot.com/

A.R.Rahman & Sachin Tendulkar - A comparison

A.R.Rahman & Sachin Tendulkar - A comparison

Many people who became die-hard Rahman fans in the 90s were also hardcore Sachin fans (including me!). I have seen this in many cases... My friend Radhakrishnan who is also a Rahmaniac also was of the same opinion! I think this phenomenon is not without a reason, the reason being similarities between the two. Got this interesting comparison by Maddy, from ForumHub:

A startling but very logical coincidences between 2 of the greatest men of 90's......they characterised the 90's and were icons of the youth at that time......just see the startling similarities between these 2:

Entry into their respective fields:

A.R.Rahman (ARR): 1992
Sachin Tendulkar (SRT): 1989

They were an instant hit because:

ARR: Blasting music, classical songs at a very young age
SRT: Swashbuckling batting and a great cricketing sense at a very young age

How they stood out from others?

ARR: First to bring digital touch to Indian music and compose fusion that no one else dares to think off.
SRT: First to explore the first 15-over restriction, score centuries at bouncy, tough tracks like Perth.

As time moved on:

ARR: Stopped producing blasting music, instead delivered Classical melodies like Taal, Swades, Bose, Meenaxi and Tehzeeb out of maturity.
SRT: Stopped going over the top to bowlers, instead played exquisite drives and late cuts and produced innings with a lot of maturity.

Character similarity:

ARR: Shy towards media and lets his keyboard answer his critics
SRT: Shy towards media and lets his bat answer his critics

Media point of view:

ARR: Darling of Mumbai and London press
SRT: Darling of Mumbai and London press

International attention:

ARR: Admired by Andrew Lloyd Webber , Micheal jackson (who wore a t-shirt having Rahman's photo on it) and many other international music reviewers who want him to compose for Hollywood films.
SRT: Adored by the man himself the "DON" Bradman and Mike Atherton(who compared Sachin to W.G.Grace) and a never ending list of Australian, English, Kiwi, WestIndian players.

Earnings:

ARR: Draws 1 Crore/ film, ambassador of Bharti telecom, sizzled with the Airtel ad
SRT: Unimaginable money on contracts with big commercial giants. Sizzles in Pepsi ads.Records:

ARR: 4 national awards, 17 filmfare awards, his music sold 210 million copies around the world (more than Britney and Madonna put together!!) and success rate of 80%+ album sales in Indian movies.
SRT: Look at this for a record: 37 ODI centuries, 35 TEST centuries, 13,000+ runs in ODI's, 44+ average in ODI's and 58+ average in Tests. What else u can ask for?

Popularity:

ARR: Has a huge fan following in India and in south he is a demi-god and captures the imagination of NRI's throughout the world
SRT: According to a survey, he is the most popular man in the Country edging out the Prime Minister and Shah-Rukh-Khan. He is popular even in places like U.S where the game is not that popular (featured in an exclusive article in an American sports magazine)

Career Graph & Present form:

ARR: Had fabulous nineties with all his albums doing well in this time. Reached dizzying heights during this period. Have had flops with major bannerssince 2001, which got the critics interested. Had a great 2003 within this lean patch with Boys creating sales records. His fans base however is intact, proved that with success of Ah Aah album.
SRT: The star of 90’s, his batting propelled him into a youth icon status in India and was concurred with many awards from the government. Being pressurized by the detractors for a imaginary loss of form and injury worries since 2001. Had a great world cup 2003 scoring runs at will. Recently has had a good innings in a one-day match to prove that he is still fit.(Their career-graph is one of the most fascinating things I have ever noticed, they always seem to have good times together. Bad times also coincides for both of them)

Fans:

ARR: Die-hard fans want him to go back to 90’s style of composing
SRT:Never say die fans want him to take up 90’s style of swashbuckling batting.

Successors:

ARR: His successors like Yuvan Shankar Raja and Himesh Reshammiya are more successful than him right now but no way near to him in terms of class.
SRT: Yuvraj Singh, Mohammed Kaif are more popular with people than him right now but as the old west-Indian saying goes: "Form is temporary, but class is permanent".

Duplicates:

ARR: Has a duplicate called Harris Jeyaraj who not only copies ARR's music and composing style but also his hairstyle and way of speaking in interviews.
SRT: Virendar Sehwag, a natural duplicate of sachin with looks and batting style similar to him. Called “Najafgarh ka Tendulkar”. (Najafgarh is Virendar Sehwag’s hometown.)

Where will they end up?:

ARR: Probably will put India into the world map of music and create records which upcoming Indian M.D's can't even dream of.
SRT: It would probably take an android or a special species of human being to erase his record in Cricket. Will always be remembered as the greatest ever batsman of modern era.